Narz Kockhans (*1952) lives and works in Dudelange. His artistic work is primarily characterised by constructivism, with an emphasis on form and structure. His approach consists of a unique interpretation of minimalism, incorporating geometric elements while recalling the minimalism of the 1960s. The use of warm colours suggests a feeling of tranquillity, offering a contrast to the fragmented elements, characteristic of this constructivism.
Gilles Lanners (*1994, Luxembourg) is a visual artist from Luxembourg. His work explores abstraction through a futuristic lens. His visual language draws from graffiti, mixed with architecture and the aesthetic worlds of science fiction and cyberpunk. The result is a body of work that feels rooted in street culture but shaped by imagined futures. A central theme in his current work is the pervasive influence of screens and social media on our perception of reality. Rather than offering clarity, these digital interfaces distort and fragment our understanding of the world, blurring the lines between the tangible and the virtual. The finished works however don’t offer a fixed message. Rather, they are open systems, more atmospheric than narrative. The artist sees them as maps of the process itself: tension, movement, distortion, silence. They leave room for viewers to interpret freely, to revisit and find something new each time. Gilles’ body of work spans a variety of mediums, including canvas paintings, paper collages, wood assemblages, and mural projects. His artistic practice combines techniques such as traditional painting, aerosol, stenciling, and the use of tape to build layered, textured surfaces. Over the past years, Gilles has taken part in multiple exhibitions in Luxembourg and Germany.
Mady Roef is a ceramist sculptor who lives and works in Breidweiler (L). Each individual piece that she creates, is a handmade, unique piece created through calmness and intuition. Her sculpting process involves a combination of beading technique, sometimes press molds and the potter's wheel. The final form of each sculpture is never predetermined, but emerges intuitively during the process, which results in dynamic and organic designs. The artist deliberately chooses a monochromatic colour scheme, as this is intended to focus on material and form.